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A Bollywood spy thriller about an Indian spy working undercover in Pakistan captivated audiences in India and Pakistan for months.
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The film became the highest-grossing Hindi-language film ever in India.
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The film became the highest-grossing Hindi-language film ever in North America.
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Dhurandhar translates to "Stalwart".
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Dhurandhar was released in December last year and became India’s highest-grossing film of that year.
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The film was released on Netflix on January 30.
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The film topped the Netflix chart for non-English films.
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Pakistani officials criticized the film as Indian propaganda.
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The film was publicly banned in Pakistan.
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The second installment of the two-part film is titled Dhurandhar: The Revenge.
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Dhurandhar: The Revenge arrives Thursday in theaters, including in the United States.
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Dhurandhar: The Revenge has millions of dollars in presales in India.
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Aditya Dhar directed the Dhurandhar films.
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India and Pakistan are nuclear-armed neighbors with Hindu-majority and Muslim-majority populations, respectively.
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India and Pakistan fought a conflict lasting four days in May last year, their worst conflict in decades.
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Dhurandhar is one in a series of box-office hits with nationalist messaging since Narendra Modi took office in 2014.
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The series of nationalist-themed box-office hits since 2014 includes The Kashmir Files, The Kerala Story, Uri: The Surgical Strike, and Article 370.
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Dhurandhar has a runtime of more than three and a half hours.
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Ranveer Singh plays Hamza Ali Mazari in Dhurandhar.
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Hamza Ali Mazari is an Indian operative on a mission in Karachi.
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Karachi is a Pakistani port city and the capital of Sindh province.
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Pakistani authorities said the film’s depiction of gang violence is unfair to the Lyari neighborhood of Karachi.
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After the film’s December release, the Sindh government announced support for a rebuttal film to Dhurandhar, calling Dhurandhar "Indian propaganda."
Sindh government, Government of Sindh
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"Lyari stands for culture, peace, and resilience — not violence."
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Despite being banned in Pakistan, Dhurandhar has been widely pirated in Pakistan.
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Bilawal Bhutto Zardari was seen entering an event to one of the film’s trending songs in a video that went viral.
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The film has been criticized for blending its narrative with real-life events such as the 2001 terrorist attack on India’s Parliament and the 2008 attacks in Mumbai.
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The film's opening scene references the 1999 hijacking of an Indian passenger plane by Pakistani terrorists.
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In the opening scene, fictional intelligence chief Ajay Sanyal decides to send Hamza on his mission as retribution.
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The character Ajay Sanyal is believed to be modeled after Ajit Doval, India’s national security adviser and the lead negotiator in the 1999 hijacking.
Jyoti Deshpande, President of Mumbai-based Jio Studios
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"When a story is inspired by real events and complex geopolitical realities, intent and responsibility must go hand in hand with cinematic ambition."
Jyoti Deshpande, President of Mumbai-based Jio Studios
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"Our approach was to present a more nuanced take on patriotism while at the same time remaining highly engaging through immersive storytelling that allowed viewers, regardless of geography, to be invested in the narrative."
Jyoti Deshpande, President of Mumbai-based Jio Studios
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"Audiences didn’t just watch it, they interacted with it, debated it, and made it their own. That is what sustained momentum two months in."
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The Film Critics Guild of India condemned targeted attacks on professional film critics.
Sucharita Tyagi, Indian movie critic
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"To see how many people refused to engage with a point of view that was not aligned with theirs was illuminating."
Sucharita Tyagi, Indian movie critic
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"It got so overwhelming that on Instagram and YouTube, I had to turn off the comments. And I’ve never had to do that before."
Sucharita Tyagi, Indian movie critic
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Sucharita Tyagi said that nationalist films such as Dhurandhar risk encouraging a form of patriotism that deepens hostility between India and Pakistan.
Sucharita Tyagi, Indian movie critic
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"The issue is when you incite an audience, and instead of propagating a message of humanity, you’re propagating the anger in a populace that’s already angry."
Sucharita Tyagi, Indian movie critic
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"No one should watch a film and leave it that kind of angry."
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